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New Book | Visions of Britain, 1730–1830

It analyses an extensive range of poems, novels, journals, drawings, satirical prints, portraits, landscapes, and history paintings.

The study follows recent discussions of Anglo-Scottish writing in this period in the attempt to determine the salient characteristics of the imaginative depiction of the Kingdom of Britain, but challenges their more confident claims for the development of a progressive integrated nationhood. It argues instead that the most engaging literary and visual accounts of Britain in this era subject their imagery to extensive artistic pressure, threatening to dismantle the national vision at the moment of its construction.

Utopia and its discontents. From Plato to the postmodern by Sebastian Mitchell Book 4 editions published between and in English and held by 6 WorldCat member libraries worldwide Utopia and its Discontents" traces literary representations of ideal communities from Plato to the 21st century. Each chapter offers close readings of key utopian and anti-utopian texts to demonstrate how they construct, challenge and explore the ideas and forms of earlier utopian writings and the social and political ideals of their own periods.

Visions of Britain, 1730–1830

The book explores how literary utopias are often as much about the past as they are about the present and the future. Forum on "Ossian" int the twenty-first century Book 1 edition published in in English and held by 2 WorldCat member libraries worldwide.


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James Thomson's picture collection and British history painting by Sebastian Mitchell 1 edition published in in English and held by 1 WorldCat member library worldwide. Audience Level. Related Identities.

Add to Wishlist Add to Wishlist. The novel ISBNs Visions of Britain is an inquiry into the literary and visual representation of Great Britain in the eighteenth century and early nineteenth century.

Visions of Britain, 1730-1830: Anglo-Scottish writing and representation

The book considers the inter-relationship of text and image for the purposes of national projection. It analyses an extensive range of poems, novels, journals, drawings, satirical prints, portraits, landscapes, and history paintings. The study follows recent discussions of Anglo-Scottish writing in this period in the attempt to determine the salient characteristics of the imaginative depiction of the Kingdom of Britain, but challenges their more confident claims for the development of a progressive integrated nationhood.